We have already covered the basics of health and safety, and also what amplifiers and mixers are. Now, to round up this first batch of summaries, we will go over how to set them up and down properly.
Before setting up, check for potential hazards: uneven surfaces, proximity to transit areas, and whether there is a chance your equipment will get wet (by being outdoors or close to where drinks are being served).
Tape your leads to the floor in order to prevent accidents. You can also tape them to the sides of poles or tripods, and if it's important that people see them, you can wrap them in colourful or reflective tape.
Set up your equipment within your reach, but not so close that you could hit it by accident while you perform. If you have poles, extend the legs as wide as the space allows it, and don't make the pole higher than yourself.
During soundcheck, make sure that there is no risk of interference between your devices, and that you have enough spa...
There are a myriad of different jobs under the umbrella of music professions. They interconnect and collaborate to make the creation and sharing of music possible. Some of us specialize at an atomic level, some others pick up more than one skill, some are jacks of all trades. During my many decades in the industry, I have mainly enjoyed performing, teaching and mentoring. For the longest time, though, I had the dream to add music production to that set of skills.
Whilst I am forever grateful to those who have helped me produce my music, including my album Reflective Notes and my single Take Me To The King, I always nursed the interest to produce for myself. Finally, over the last 15 months, I have been able to fulfill that aspiration by attending courses offered by the Xylo Aria's Music Production for Women initiative.
I have learned so much, both at a technical and a creative level! Now I am able to do things like this special live arrangement for the band The Mowatts:
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