Success Beyond The Score

Today, I want to tell you about an experience that one of my sax students lived recently, and what there is to learn from it.

My student posted a video of herself playing that got shared to many people. One person from those she reached liked what they saw, and contacted her to book her for an event. It sounded great, until it was revealed that the gig was in only two weeks.

Panic ensued. She did not know what to do. On one hand, she did not want to pass on the opportunity to play in public, even if for free. On the other, she did not feel ready. After consulting with family members and with myself as her teacher, she decided to go for it, playing a song she already knows well, and one she was working on. She did her best, and while she received no complaints, she ended up feeling overwhelmed and a tad regretful. She told me that she wished she could have an entire year to properly prepare. I can understand, I have been there!

Last minute gigs can open many doors, but they can also ...

England, Wales and Scotland: we have had time these past few months to hear candidates out and consider our options. Now, it is the time to decide who we want to represent us in our cities and regions. Whilst it is easy to be negative and pessimistic about the state of politics, democracy is still an invaluable opportunity to make our voices be heard. Don't let it pass!

In regard to the proposals surrounding the arts and entertainment industry, the Musicians Union wrote manifestos for both the Senedd Elections and the Scottish Parliamentary Elections. These manifestos addressed all candidates, and those who committed to consider them could be a good option for you to support, if you are still on the line.

Remember that you have time to vote between 7am and 10pm, and that you must bring a form of photographic identification in order to be allowed to vote. These include passports issued by the UK, EEA states or members of the Commonwealth, driving licenses, bus passes, biometric immigr...

The next pair of episodes of the podcast Success Beyond the Score, season 2, bring us to meet and talk to the brilliant saxophonist Anna Brooks.

She is an international touring and recording artiste with the Brooklyn Funk Essentials and Joolz Holland Rhythm and Blues Orchestra. Additionally, she is a music arranger, music director, music preparation specialist and singer. She is also a teacher at the Birmingham Conservatoire.

In the first part, Anna describes herself in the musical world, and then comments on how she balances family commitments and touring. We talk about the pros and cons of having a music degree, and why being self-taught rocks! She also talks about her instrument preferences, dealing with mistakes, and what it’s like being the only female in a band.

In the second part, we delved into how we coped with COVID-19; tips for transitioning your music into a full-time professional career; how Anna started her music career just six weeks after the birth of her sons; mu...

He who would learn to fly one day must first learn to stand and walk and run and climb and dance; one cannot fly into flying.
—Friedrich Nietzsche, in ‘Thus Spoke Zarathustra’

This quote invites me to reflect about the process inherent to creativity. What comes before what when learning how to be an artist —musician or otherwise. Why is it like this, and how it conciliates with the notion of "learning by doing."

• How does the idea expressed by this quote make you think about your creative process?
• How does this impact your music journey?

I would love to read what you think.

There are a myriad of different jobs under the umbrella of music professions. They interconnect and collaborate to make the creation and sharing of music possible. Some of us specialize at an atomic level, some others pick up more than one skill, some are jacks of all trades. During my many decades in the industry, I have mainly enjoyed performing, teaching and mentoring. For the longest time, though, I had the dream to add music production to that set of skills. 

Whilst I am forever grateful to those who have helped me produce my music, including my album Reflective Notes and my single Take Me To The King, I always nursed the interest to produce for myself. Finally, over the last 15 months, I have been able to fulfill that aspiration by attending courses offered by the Xylo Aria's Music Production for Women initiative. 

I have learned so much, both at a technical and a creative level! Now I am able to do things like this special live arrangement for the band The Mowatts:

 

 

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This year, the Young Classical Artists Trust (YCAT) organised their fifth version of Musicians' Mental Health Month. With a focus on Imposter Syndrome, they are offering a number of resources for musicians, ranging from coaching and therapy sessions to blogs and Q&A articles on the subject.

Imposter Syndrome, which consists in the persistent inability to believe that one's success is deserved or has been legitimately achieved as a result of one's own efforts or skills, affects people in all professions. It can become debilitating, opening the way to anxiety and paranoia. If you have confronted these feelings before, please know that you are not alone, and that there is a way out of this negative mindset.

This page on the MU's website contains a summary of the activities and resources of the YCAT's Musicians' Mental Health Month. Share it with friends, it might help more that you think!

Continuing with our journey down memory lane, today we bring the two episodes of the podcast Success Beyond The Score dedicated to the award-wining international operatic soprano Abigail Kelly.

Her engagements include a variety of roles, like the female lead in the ‘The Marriage of Figaro’, which she performs in various languages – Italian, Russian, German and French. Abigail is the Ambassador for the National Touring Opera and is passionate about making opera available to all. Abigail is a workshop leader and vocal tutor and has been featured in Black Hair and Beauty magazine.

In the first part, episode 6, Abigail explains why she chose to become an operatic soprano, the things opera singers do which singers in other genres do not, her journey to becoming a full-time musician, and the impact that COVID-19 had on her life and career.

In the second part, Abigail gives her insights on how to bounce back; dealing with fame and the mundane; tips for building a full-time music career...

Contracts, regulations, taxes, liabilities, trademarks and copyright. There is a big legal side to working as a musician. Not all of us, particularly those who are just starting, can afford hiring a professional to take care of that. Even if you have the resources, you still need to know your way around legislation to better communicate with your advisors, protect yourself and your audience.

With all this in mind, on Wednesday 22 April 2026, Millicent will be teaching a FREE webinar via Zoom about legal know-hows for gigging musicians. It is open to everybody who has access to the internet and wants to learn! All you need to do is sign-up following this link.

If you would like to have an idea of how the sessions go, here we have a couple of examples.

• Click here to watch a segment of the session about how to promote your music.
• Click here to watch the answer to a question submitted by a participant to that same session.

Please, share this event with everybody who could be inter...

"What we play is life."
—Louis Armstrong, in ‘His Own Words: Selected Writings’

When I came across this quote, it prompted a lot of thoughts and ideas. I am interested in knowing what it brings to your mind. Try listening to some of the timeless songs of Louis Armstrong, which are his thoughts put into practice, to reflect.

What does "what we play is life" mean to you, as a musician? You can tell me here.

So far, this year we have offered two free webinars for emerging musicians: ‘How to stream your live music performance’, and ‘15 ways to promote your music online and offline’. They were successful and enriching experiences that gathered testimonials like this:

I found [‘15 ways to promote your music online and offline’] really interesting and informative. There were so many fundamental and incredibly useful tips that had somehow passed me by, e.g., adding information about yourself in the signature of your email – genius! I absolutely agree with the “concentrate on one social media platform at a time” approach. It will make my life a lot easier.

We are very happy with these results, and we are going to bring you more of these opportunities throughout the year. Here is a basic outline of what is to come:

• April: Free webinar about the legal framework for musicians and copyright.
• May: Exclusive events for Time For My Music members.
• June: Short paid course about how to get book
...