Despite what some might think, working in music can be quite physically demanding. As a gigging musician, I have to travel to the venues where I’ll perform, often carrying my instrument and PA system with me. I bend, lift, shift and go up and down to set up my equipment. I move around the stage (sometimes off it and through the crowd, even) while performing. As a saxophonist, I really put my lungs to work every time I play, and I can’t run out of breath mid-concert!
Now, our bodies go through important changes during menopause that can have a huge impact on our energy levels and physical endurance. Menopausal people might experience changes in bone density, heart health, weight, body shape and mobility. This can affect our ability to keep working, so it’s important to exercise consciously and regularly in order to counter menopausal symptoms.
To be transparent, I didn’t struggle that much keeping up with physical activity prior to joining the SMART...
No matter how experienced or learned someone is, how many resources they have, how many measures they take, accidents and mistakes are inescapable. What defines a good musician isn't the absence of hiccups or errors, but rather, how they react to them.
Take as an example this rendition of Queen's quintessential song, Bohemian Rhapsody, played during a concert in Caracas, Venezuela, back in 1981.
Even if you aren't a fervent fan of Queen, it's highly likely that you've listened to this song enough times to tell something goes wrong at the 01:40 mark. Brian May works around the issue to play the solo for that part, but by 02:04, he changes the melody completely. The image isn't that clear, but apparently he missed his cue and broke one of his strings immediately after.
Observe how he doesn't freeze, doesn't stop or reacts in a visibly panicked way. His fellow band members do look slightly confused while they understand what happened, but this doesn't prevent them from playing their...
Creative endeavours are, at the same time, energising and draining. Gigging musicians thrive on stage, but once they get off, they are hit with the exhaustion of having given their all to their audience, their clients and their craft. If, on top of performing, they are in charge of logistics, finances and/or organisation, as it was the case for the women who put together the Time For My Music's evening showcase last October, this fatigue gets dialled up to eleven.
If you plan to become a professional gigging musician, it's essential that you come up with mechanisms to rejuvenate after shows. There's only so much your body and mind can endure with no support, and if you force yourself to move forward despite signs of alarm like pain, sleep issues, and anxiety, you're going to burn out.
On one hand, there's the physical side of things: take care of your health and cultivate your endurance with an appropriate diet, physical activity and good sleep. Allot time specifically to rest,...
The Musicians' Union is cautious about the government consultation currently going on in regard to copyrighted material being used to train generative artificial intelligence (genAI). The consultation is a direct successor of a government-proposed exception that saw the light in 2023, and didn't go through due to strong opposition from the creative industry. The difference this time is that the government has outlined a way for right holders to prevent their works from being used to train AI systems. Alternatively, they could opt to negotiate a presumably paid licence for their use.
In the realm of music, the right holders are mainly record labels and publishers. However, musicians who signed their contracts and transferred their rights before the boom of genAI had no way to foresee the weight this technology would have in the cultural landscape and industry, or the impact its use would have in their revenue. For this reason, the Musicians' Union...
Happy holidays! Regardless of how you spend this time of the year, we hope you've enjoyed it to the fullest, and that you've also caught some well deserved rest. 2024 was quite hectic for many, so let's give ourselves a moment to breathe and maybe give ourselves a pat in the back for the challenges that we overcame.
This is also a good time to remember the big, good moments. For example, the first live concert of Time For My Music at the end of October was a massive achievement for our community. We can't wait to post the professional footage in the upcoming months, but in the meantime—and to add some good vibes to your New Year's Eve preparations—here are two clips from Millicent's performance at the end of that evening:
Count on us for resources and support in your music journey this and every new year. We are dying to hear about what you've got in mind!
Originally, Millicent wasn't going to perform at the Time For My Music evening showcase. However, due to a suggestion by a member of the audience, and with the enthusiastic approval of the women who starred the night, she went on stage towards the end and played some fan favourites like "Ain't Nobody (Loves Me Better)" and "Bridge Over Troubled Waters".
After the show was over, one of the women told Millicent that she was glad to have counted with her performance that night, because she could see first hand how Millicent applied everything she has taught them through the years. Seeing the theory put into practise motivated her, and she could project herself owning the stage with more confidence and ease in the future.
Performing music live is much more than just making up your mind and doing it. Everybody starts somewhere, and Millicent is no exception. She remembers that, when she first started, she stood on a single spot in front of the mic, fixed her gaze somewhere on...
The Musicians’ Union (MU) and the Featured Artists Coalition (FAC) are organisations that protect the rights and interests of artists and performers in the UK. Their work is to ensure that artists and performers are fairly represented and paid within the recorded and live music sectors. Given that recent events like the COVID-19 pandemic, Brexit and the economic recession have heavily disrupted the live music market, the MU and FAC came together to write an open letter to the government and the biggest actors of the entertainment industry in regard to one of the most affected sectors: grassroots music.
The Arts Council defines grassroots music as "the engine room of England’s thriving music ecology." It's a delicate network of rehearsal and recording studios, venues, festivals and promoters that support musicians and music professionals in the development of their skills. It's made of that promoter who organises an open mic evening the...
Nowadays, the making of both woodwind and brass instruments is considered an endangered craft by the Heritage Crafts Association. If something goes wrong with your instrument, there are very few places where you can take it in order to get it back on track. When Millicent's trusted sax repairer retired seven years ago, she was faced with the gravity of this problem, struggling so much to find a reliable replacement that she decided to learn how to do it herself. She signed up for a sax repair and maintenance workshop offered by Cambridge Woodwind Makers, which was extremely useful and gave her a new perspective. She talked at length about her experience in this blog entry, and also on her YouTube channel.
While she eventually found a new trusted sax repairer, Millicent didn't completely leave this knowledge aside. As a busy gigging musician, she doesn't always have the chance to take her saxophones to the shop if something breaks, and...
One of the most essential strengths a gigging musician must have is adaptability. Every gig comes with a new set of conditions: from the dimensions and design of the stage, to the size and position of the audience, to the PA system and the staff in charge of it.
Let's make an example out of the latter: for a certain gig some time ago, Millicent asked about the technical set up—as she always does—but a little later than usual. She got a reply through WhatsApp many hours later, and had to continue the conversation the next day. It became evident that the person answering to her wasn't tech-savvy, but rather followed instructions by the tech people at their organisation, which made the process slow. Thinking that this could cause problems down the line, Millicent decided to take her own PA system equipment to the venue, just in case.
When the day of the gig came, the sax mic didn't work, and there was no one among the staff who knew what to do. On top of...
The Government is running an independent Curriculum and Assessment Review with the aim to gather perspectives and evidence that can help refresh and update the national curriculum and statutory assessment system in England. The Musicians' Union is responding to it on behalf of its members, submitting arguments in favour of arts and music education, and you can do the same by answering to the review online before Friday, 22nd November.
The Review has a big scope, and it's looking for solid evidence and potential solutions to the main problems faced in the education of children and teenagers aged 5 to 19. If you feel that you don’t have an informed opinion to contribute to the discussion regarding one specific section of this massive enterprise, it's alright: you can answer only to what matters to you, and your opinion will be taken into account anyway.
The Musicians' Union has highlighted the sections more relevant to arts and music education, and has some advice...