Asharp's words about Time For My Music

Let us use this great shot by GL360 Productions to introduce Asharp, the next star in the Time For My Music Evening Showcase’s line-up.

Asharp is a versatile saxophonist who plays all three alto, tenor and soprano sax. She has recently broadened her talents by branching out as a solo artist, and is now a regular performer at the ‘Wednesday Mic Fever’ happening at the Legacy Centre.

This is what she told the audience about her experience with Time For My Music:

I joined Time For My Music—it wasn’t at the beginning, but probably after they’d had about two or three sessions […] What I found has helped me most is learning about technology, because I’m the world’s worst when it comes to computers and technology. Millicent, I don’t know how she has managed to do it. She’s just so patient when I can’t log in or pick up the password. She doesn’t shout at all, she just talks calmly, which is good for me, ’cause I’ll panic at it even more [otherwise]. 

It’s the meetings, the fellowship. Yo

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Melody's words about Time For My Music

Today, it’s Melody’s turn to be under the spotlight. She’s a featured vocalist with the Notebenders big band, whose voice has been praised for being smooth and angelic on the high notes when singing classical songs and jazz.

During the Evening Showcase last year, she had this to say about Time For My Music:

[…] Time For My Music is like a sisterhood, a fellowship. It’s togetherness, a way to put ourselves out in the world as musicians together. 

[…] Millicent has a wonderful gift, a very open heart. She’s very patient with us. I can see that she gives, she goes beyond the mile, many more times than that. I’m truly grateful, also, for the support that she receives in doing this from the family, and for the support of the group. It’s one of the reasons I’m standing here, and I’d like to thank Patricia because, when I started to meet up with the community bands and the Notebenders, it was Patricia who told me about Cafemnee, which was a forerunner to Time For My Music. So thank you a

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Keep yourself safe: risk assessment and public liability insurance

Everything in life entails a risk, even not doing anything at all. Assessing and managing risks is part of life, but it becomes critical in professions that involve large numbers of people, like live music.

As a performer, you can't think only of yourself. You must consider the safety of every person who makes your job possible: fellow musicians, engineers, assistants, organisers, logistics, venue staff, and of course, the audience. There are two steps to this: the first is the risk assessment, in which you identify what could go wrong, and take action to prevent it before it happens. The second is a contingency plan, in which you determine what to do in case something goes wrong despite your efforts.

Risk assessment

To illustrate this step, let's have a look at a gig Millicent had at Shangri-La The Shard, London, sometime last year.

Shangri-La The Shard is a prestigious venue with luxury amenities, and the staff is used to accommodate prestigious guests that require a special

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Part 1 of ‘Time For My Music’ Evening Showcase is now on YouTube

Preceded by two online performances, the ‘Time For My Music’ Evening Showcase was the first live concert offered by the women of the Time For My Music programme. The venue was the MAC Theatre of Birmingham, and the date, 29 October 2024.

For those who couldn't attend, and also those who attended and want to relive the experience, the full concert will be made available on Millicent's YouTube channel. Part 1 is already out, so you can sit back, relax, and enjoy 50 minutes of music by the talented Angela, Angie Lee, Asharp, Melody, Michelle, Patricia and Tiny Sax:

Part 2 comes out on 23 March, just three weeks from now.

Many thanks to GL 360 Productions (@gl360media) for making a full coverage of the evening showcase, making it possible to share the art of these women with people all around the world. Be sure to play the video in full HD to get the best experience, and if you like it, let us know in a comment or by sharing with your friends!

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When things go wrong

No matter how experienced or learned someone is, how many resources they have, how many measures they take, accidents and mistakes are inescapable. What defines a good musician isn't the absence of hiccups or errors, but rather, how they react to them.

Take as an example this rendition of Queen's quintessential song, Bohemian Rhapsody, played during a concert in Caracas, Venezuela, back in 1981.

Even if you aren't a fervent fan of Queen, it's highly likely that you've listened to this song enough times to tell something goes wrong at the 01:40 mark. Brian May works around the issue to play the solo for that part, but by 02:04, he changes the melody completely. The image isn't that clear, but apparently he missed his cue and broke one of his strings immediately after.

Observe how he doesn't freeze, doesn't stop or reacts in a visibly panicked way. His fellow band members do look slightly confused while they understand what happened, but this doesn't prevent them from playing their...

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Rejuvenation, the key for a long-lasting and fulfilling music career

Creative endeavours are, at the same time, energising and draining. Gigging musicians thrive on stage, but once they get off, they are hit with the exhaustion of having given their all to their audience, their clients and their craft. If, on top of performing, they are in charge of logistics, finances and/or organisation, as it was the case for the women who put together the Time For My Music's evening showcase last October, this fatigue gets dialled up to eleven.

If you plan to become a professional gigging musician, it's essential that you come up with mechanisms to rejuvenate after shows. There's only so much your body and mind can endure with no support, and if you force yourself to move forward despite signs of alarm like pain, sleep issues, and anxiety, you're going to burn out.

On one hand, there's the physical side of things: take care of your health and cultivate your endurance with an appropriate diet, physical activity and good sleep. Allot time specifically to rest, both ...

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Let 2025 be the year when you find Success beyond the score!

Happy holidays! Regardless of how you spend this time of the year, we hope you've enjoyed it to the fullest, and that you've also caught some well deserved rest. 2024 was quite hectic for many, so let's give ourselves a moment to breathe and maybe give ourselves a pat in the back for the challenges that we overcame.

This is also a good time to remember the big, good moments. For example, the first live concert of Time For My Music at the end of October was a massive achievement for our community. We can't wait to post the professional footage in the upcoming months, but in the meantime—and to add some good vibes to your New Year's Eve preparations—here are two clips from Millicent's performance at the end of that evening:

 

Count on us for resources and support in your music journey this and every new year. We are dying to hear about what you've got in mind!

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Improving your stage craft is easier than you think

Originally, Millicent wasn't going to perform at the Time For My Music evening showcase. However, due to a suggestion by a member of the audience, and with the enthusiastic approval of the women who starred the night, she went on stage towards the end and played some fan favourites like "Ain't Nobody (Loves Me Better)" and "Bridge Over Troubled Waters".

After the show was over, one of the women told Millicent that she was glad to have counted with her performance that night, because she could see first hand how Millicent applied everything she has taught them through the years. Seeing the theory put into practise motivated her, and she could project herself owning the stage with more confidence and ease in the future.

Performing music live is much more than just making up your mind and doing it. Everybody starts somewhere, and Millicent is no exception. She remembers that, when she first started, she stood on a single spot in front of the mic, fixed her gaze somewhere on the floor, a...

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Learn how to fix your own woodwind instrument

Nowadays, the making of both woodwind and brass instruments is considered an endangered craft by the Heritage Crafts Association. If something goes wrong with your instrument, there are very few places where you can take it in order to get it back on track. When Millicent's trusted sax repairer retired seven years ago, she was faced with the gravity of this problem, struggling so much to find a reliable replacement that she decided to learn how to do it herself. She signed up for a sax repair and maintenance workshop offered by Cambridge Woodwind Makers, which was extremely useful and gave her a new perspective. She talked at length about her experience in this blog entry, and also on her YouTube channel.

While she eventually found a new trusted sax repairer, Millicent didn't completely leave this knowledge aside. As a busy gigging musician, she doesn't always have the chance to take her saxophones to the shop if something breaks, and knowing how to do quick fixes can be a lifesaver w...

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Gigging musicians: adaptability is key!

One of the most essential strengths a gigging musician must have is adaptability. Every gig comes with a new set of conditions: from the dimensions and design of the stage, to the size and position of the audience, to the PA system and the staff in charge of it.

Let's make an example out of the latter: for a certain gig some time ago, Millicent asked about the technical set up—as she always does—but a little later than usual. She got a reply through WhatsApp many hours later, and had to continue the conversation the next day. It became evident that the person answering to her wasn't tech-savvy, but rather followed instructions by the tech people at their organisation, which made the process slow. Thinking that this could cause problems down the line, Millicent decided to take her own PA system equipment to the venue, just in case.

When the day of the gig came, the sax mic didn't work, and there was no one among the staff who knew what to do. On top of that, Millicent had sent her bac...

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