Success Beyond The Score

In the first article of this series, we thought about what we want to achieve. Then, in the second entry, we reflected a little deeper to understand why we want what we want. So far, the most practical part of this exercise has been to write ideas down, you haven't had to stand up from the couch just yet.

Now, however, we have arrived to the point where the vast majority of people get stuck: the how. How can we get to where we want to get? What do we need? Where and how to start? The questions and the uncertainty can easily overwhelm you.

The first thing that we need to do is to step back, breathe, and focus on the elements of our vision. What is there that you need to acquire? What do you need to do in order to acquire those things? You'll be surprised by how frequently a daunting task becomes simple and easy just by paying no mind to anxiety, considering instead the logical steps needed to execute it.

Let's say that your goal is to play at open mics in the next year. What do you n...

The podcast Success Beyond The Score was one of the foundational initiatives of the website full of resources that you know today. While the first season is already a few years old, it contains valuable information and perspectives that are still helpful. If you got a moment, why not revisit some of the episodes? Perhaps something in there will be relevant to where you currently are in your music journey.

For your consideration, here are the three first episodes of season 1:

1. Introduction

The what, why and by whom of the podcast Success Beyond The Score.

2. Is age a number?

Is your age important to what you do? Does it elevate or decimate your music? 

3. Who's going to make your music happen?

Who do you need to contact to make your music career happen, get you gigs and help you move forward?

If you have any comments, questions or observations about the content of these chapters, we would love to know!

Last time, I talked about my thought process when I decided to move on from being a hobbyist and become an established musician. I explained how I started cementing my vision by writing down what I wanted to achieve, condensing my beautiful dreams into describable goals. I also invited you to do the same, so you had your own material to follow along this series.

Now that you have the what, the next question is why. What is the reason behind your wish to reach something? What is the purpose that your goals serve to yourself? If you don't understand why you are doing what you do, or you lose sight of it with time, your motivation will dwindle. You need energy to overcome the challenges and obstacles that you will inevitably find on your way, and this energy, this drive that you need, can be fuelled by your reasons.

Just as we wrote down our whats to solidify them, we need to document our whys. Going back to them now and then to remind ourselves of our purpose keeps us focused and pushi...

I wasn’t born a full-time award-winning musician. In fact, I spent the first couple of decades of my adult life working in a completely different field. During those years, music was a hobby, a fulfilling one that I loved, but nothing more than that. Whilst I did catch the attention of a record label or two, it never came to anything.

At 42, I attended a concert by a friend. Seeing him shining on stage, being aware of his achievements and career, made me realise that I wanted that too. With my children in secondary and primary school, I was at a point when I finally had time for myself. The conditions were there, I could give professional music a shot! I hesitated for a long time, but finally, I decided to try.

I gave myself a timeframe, which was of five years, and sat to write down all the things I wanted to achieve during that period. At that point, I didn't know how to get there, but that didn't matter. The first step towards reaching a goal is to know what the goal is. Then, in ...

Regardless of the location, stage, or the characteristics of your audience, everybody who attends a concert wants the same: to be entertained, wowed, soothed, and taken away.

For most artists, how to approach the audience starts as at impossible knot of anxious questions: 'am I doing this right?', 'will they like it?', 'what if I make a mistake?'. The key to improve your audience management skills isn't to find the answer to all those questions, but to realise that they don't matter, at least not as much as you might think.

You can look at it like this: what is under your control, like how well you learn your musical pieces, is under your control, so there's no need to worry. What is not under your control, like whether the grumpy looking person at the end of the fifth row is enjoying themselves, is not under your control, so why worry about it? Of course, you should think of your audience, what they want and expect, but not to the point that the thought interferes with your ability...

No matter how experienced or learned someone is, how many resources they have, how many measures they take, accidents and mistakes are inescapable. What defines a good musician isn't the absence of hiccups or errors, but rather, how they react to them.

Take as an example this rendition of Queen's quintessential song, Bohemian Rhapsody, played during a concert in Caracas, Venezuela, back in 1981.

Even if you aren't a fervent fan of Queen, it's highly likely that you've listened to this song enough times to tell something goes wrong at the 01:40 mark. Brian May works around the issue to play the solo for that part, but by 02:04, he changes the melody completely. The image isn't that clear, but apparently he missed his cue and broke one of his strings immediately after.

Observe how he doesn't freeze, doesn't stop or reacts in a visibly panicked way. His fellow band members do look slightly confused while they understand what happened, but this doesn't prevent them from playing their...

Creative endeavours are, at the same time, energising and draining. Gigging musicians thrive on stage, but once they get off, they are hit with the exhaustion of having given their all to their audience, their clients and their craft. If, on top of performing, they are in charge of logistics, finances and/or organisation, as it was the case for the women who put together the Time For My Music's evening showcase last October, this fatigue gets dialled up to eleven.

If you plan to become a professional gigging musician, it's essential that you come up with mechanisms to rejuvenate after shows. There's only so much your body and mind can endure with no support, and if you force yourself to move forward despite signs of alarm like pain, sleep issues, and anxiety, you're going to burn out.

On one hand, there's the physical side of things: take care of your health and cultivate your endurance with an appropriate diet, physical activity and good sleep. Allot time specifically to rest, both ...

Nowadays, the making of both woodwind and brass instruments is considered an endangered craft by the Heritage Crafts Association. If something goes wrong with your instrument, there are very few places where you can take it in order to get it back on track. When Millicent's trusted sax repairer retired seven years ago, she was faced with the gravity of this problem, struggling so much to find a reliable replacement that she decided to learn how to do it herself. She signed up for a sax repair and maintenance workshop offered by Cambridge Woodwind Makers, which was extremely useful and gave her a new perspective. She talked at length about her experience in this blog entry, and also on her YouTube channel.

While she eventually found a new trusted sax repairer, Millicent didn't completely leave this knowledge aside. As a busy gigging musician, she doesn't always have the chance to take her saxophones to the shop if something breaks, and knowing how to do quick fixes can be a lifesaver w...

Xdinary Heroes is an accomplished K-Pop band with a prolific and entertaining YouTube channel. Through their short videos, they share glimpses of their life as a band, make comedy skits and show appreciation for their fans.

One of these shorts, which you can watch by clicking this link, pokes fun at the different ways people can react to a bandmate's mistake during group practise. From the one who assures that it's alright while cursing inwards, to the one who's so focused on their own thing that they don't notice something went wrong, their skit gives a humorous twist to something that, unfortunately, can snowball into big issues in real life.

Mistakes are bound to happen because we are human. There's no way to completely prevent them, so there's no point in holding yourself or your bandmates to impossible standards. If someone's skill level isn't enough to flawlessly perform a piece, or it is, but their focus slips for whatever reason and there's a mistake, that doesn't mean that t...

Here is the transcription of episode 11 of season 3 of the podcast "Success Beyond The Score". Happy reading!

- Watch the video of the episode here: YouTube

- Listen to the audio of the episode here: Kajabi

INTRO:

Hiya! Hope you are well and [that] you can hear me okay. I'm ready to share a fantastic 11th episode of my Success Beyond The Score. Now, a couple of things to say before we get cracking about the sound engineer.

One is: I did it. I have got to 11 live shows on YouTube. At the beginning, I didn't think I'd manage it, but I did, and I want to thank you so much for being with me, for giving me those questions, and for just rocking up, and liking, and sharing, subscribing. Thank you so much for that. Going forward, just make sure you put the bell on, so you're notified of any future broadcasts I will be doing.

Now, the second thing —before I get cracking on the sound engineer topic— is to remind you that, if you're new here, there have been ten other episodes before th...