Success Beyond The Score

Here is the transcription of episode 10 of season 3 of the podcast "Success Beyond The Score". Happy reading!

- Watch the video of the episode here: YouTube

- Listen to the audio of the episode here: Kajabi

INTRO:

Hi! I hope you are well. Let me just do my little buttons here, and hopefully you can hear me. If you can, please put a message in the chat. That would be really, really good. Oh dear. Okay, so I'm going to crack on as I wait for those replies. Hi Gary! Good to see you. Lovely to see you there.

Today, I've got a topic about putting on your own show. Actually, before I dive in, let me do a proper welcome. This is my 10th episode live. If you've been with me from the first one, I said that I'm here for 11 days on YouTube, and my 11th is going to be [on] Monday. It's just great. It's just gone really, really quickly. But I want to thank you so much for showing up, for liking, subscribing and sharing and just commenting. Thank you. Thank you so much. It means a lot that...

Labour Day is an opportunity for workers across the globe to pause. Whether you use the day to rest and recover, to reconnect with others, or to think about ways to improve the conditions of your trade, the day is about having a breath and look at the reality of labour without the rush of the race for success (or survival).

In a landscape where 71% of music makers and professionals are freelance, however, the date can easily be dismissed and pass unnoticed. This is highly detrimental, given that freelancing is a particularly hostile and challenging model of work. The specificities of freelancing make plenty of room for abuse, exploitation and intimidation. It's vital that we push together for increased standards of protection for freelancers all across our sector, and for that, we need information and perspective.

Last year, Black Lives in Music worked to inform the Women and Equalities Committee (WEC) report on Misogyny in Music, which found wide-scale...

Nominations for the Musicians' Union Executive and Regional committees 2024-2025 are open until midday of Wednesday 27th September, 2023.

The Executive committee is the governing body of the union and it's in charge of taking major decisions that affect the working conditions of musicians across the country. The Regional committees are in charge of day-to-day management and perception of local concerns. If you, or someone you know, have a passion for social work and political change, consider submitting your or their name for a nomination. You could make a big difference! 

Click here to read all the information on what the positions entail and what are the requisites to apply. If you have specific questions about the role you'd have in a committee, you can contact our director Millicent Stephenson at [email protected] and ask about her experience. She was part of the Executive Committee for a few years, and she's currently part of the Regional Committee for the...

Here is the transcription of episode 5 of season 3 of the podcast "Success Beyond The Score". Happy reading!

- Watch the video of the episode here: YouTube

- Listen to the audio of the episode here: Kajabi

PODCAST INTRO:

I'm going to be diving into the three reasons why you should be charging for your music starting today! It's really, really warm weather and in fact, I've got a gig later on as well, but I thought I'd come on and speak with you and share some nuggets. And I would love to hear from you too. If you've got a story to tell about getting paid, put that in the comments; I'd love to read it out, give you some tips on that. And if you've got any questions, please do that.

Getting paid is a real vital thing for musicians. I said in episode one, on Monday, that I believe every musician should be paid their worth. I a 100% believe it, believe it, believe it. Of course, it's a journey, and for some of you, you're probably not charging at all —that's why...

We know what you first thought was: Is there someone campaigning in favour of female mediocrity?! What's that supposed to mean?!

 In an article posted by the Musicians' Union as part of their guest blogs, Christine Anderson explains her point. This viola player, who's a member of Her Ensemble, as well as an orchestral and chamber musician, shares her experiences and thoughts on women and diversity within the classical music industry in a thought provoking article that starts like this:

The classical music industry is changing. Admittedly, the pace could generously be described as glacial: according to Donne - Women in Music, in the 2021-22 season, across 111 orchestras in 31 countries, just 7.7% of pieces played were by women, of which 5.5% were white (while 27.5% of pieces were by the same ten historical, white European men).

But this is at least a slight improvement on the previous year, where just 5% of compositions were by women. And out with the big, established...

The Musicians’ Census is a joint project by the Musicians’ Union and Help Musicians to get a deeper understanding of what it’s like to be a musician in 2023. The more participants there are in this census, the better these institutions will understand the work and life conditions of musicians in the UK. This will allow them to take more precise action to address our concerns and talk with the government in order to be able to offer:

-Organised support for musicians, regardless of their background.
-Information, advise and training on pay conditions.
-Union services.
-Promotion of equality, diversity and inclusion.
-A steady campaign for a fairer and safer industry.
-Social and legal recognition of musicians' work and importance within the industry.

You can participate following this link: https://www.musicianscensus.co.uk/

Don't forget to share this information with your musician friends in the United Kingdom!

Gigs! I’ve had the opportunity to play so many this year that I can’t do nothing but feel blessed (and a bit exhausted, haha!). No matter if big of small, I bring everything to the stage and I have the time of my life, as you can see in the header photo of this post. It was taken during the Birmingham 2022 Festival by Laurence Stephenson. The event was incredible! If you want some specifics on how it went, I wrote a little recap on my personal website.

Such occasions would not be possible if I was not confident in my ability to pull a crowd and make the experience unforgettable for them. It is incredibly rewarding, and that’s why I want you to be able to do the same: to appear confident and get people’s attention, to make them remember you, look you up after the gig and talk to their friends about you. For this reason, I put together a course called “Showtime! The best ingredients for giving a great performance“, in which you...

Recently, I have had quite a lot of gigs. The occasions are different and so are the circumstances. Sometimes, I am playing on a terrace, some others, on a function room, or a hall, or at a bar... As I have to bring my own PA system, every time I have to think about the safety of everybody involved, including myself, when I set it. 

A few weeks ago, in London, I arrived to the venue where I was going to play when the guests were already at the bar, coming from the wedding ceremony to attend the drinks reception. I had to survey where the plug points were, and think where to set up, without the guests seeing me directly. I had to make sure that my speakers were firm on their stands and that the cables connecting them to the console were not a tripping hazard for me or other musicians coming on stage. 

Sounds a bit nerve-wracking, doesn't it? Well, it is not too bad, especially not after years of practise, but you have to be attentive and careful, and always make sure...

We have the firm belief that every musician should be paid their worth. Even if you do music as a hobby, your effort, dedication, skill and passion deserve recognition. Now, it is easier said than done, right? When it comes to the business side of music, many artists get lost in calculations, transactions, invoices, and the uncertainty of how to communicate fees and conditions to potential clients.

Don't get overwhelmed, though, there is a way out! In the e-course "Maye Your Music Pay", Millicent will teach you how to:

- Set your fee and get paid regularly.
- Build your confidence to say your price without anxiety.
- Negotiate a win-win for your fee.
- Collect your fee with no drama.
- Set up a money management system.
- Prepare for your tax return.
- Grow a fans mailing list.

With this, you'll understand the steps you can take now to work out your gig fee, collect your payment and manage your music money. Sounds good? Click here to watch the introductory video, get more information...

There are some musicians who go for many years without really knowing how to earn consistently from their music, or how to turn their music into a successful and enjoyable music career. 

Here’s the good news, this Monday, I start 11 days of amazing FREE live sessions, on YouTube covering a variety of ingredients to help you on your journey. Feast your eyes on the topics:

1. Mon 4th July, 1pm: Welcome and what to expect. 
2. Tues 5th July, 1pm: Does your music have the juice to pull a crowd?
3. Wed 6th July, 1pm: Why do musicians get killed by sound?
4. Thurs 7th July, 1pm: I’m a musician. Why do I need a business plan?
5. Fri 8th July, 1pm: Three reasons why you should charge for your music starting today!
6. Mon 11th July, 1pm: Is playing for free a contradiction for musicians?
7. Tues 12th July, 1pm: Do you have a music hobby or a music business?
8. Wed 13th July, 1pm: This is why you should video record your Gigs.
9. Thurs 14th July, 1pm: Stop! Don’t record...