Success Beyond The Score

The following group of episodes of the podcast Success Beyond the Score are all about how to market yourself. While the event discussed in episode 14 has long since past, the process described is a good example of what to expect when trying to get that sort of gigs. From episode 15 onwards, Millicent will talk you through the design of your Music Press Kit.

Have a listen:

14. How to perform in the Commonwealth Games 2022

Would you like to perform in the Commonwealth Games in 2022, which are being held in the city of Birmingham and the West Midlands region, United Kingdom? In today's episode, Millicent explains how to get yourself in.

15. What should you have in your Music Press Kit?

What is a Music Press Kit? Is it different from an Electronic Press Kit? What should be in it? Whether you are in the early stages of your music or performing regularly, a Press Kit is a must.

16. How to write an artist bio

What should you put in your music bio? How should it be written? What sho

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While the first season of the podcast Success Beyond the Score is already a few years old, it contains valuable information and perspectives that are still helpful. Today, we want to highlight episodes four to six of season 1, which are connected as a series to talk all about business cards:

4. Should I get business cards?

Should I get business cards? When I should get them? This is the first of a three part series about business cards for musicians, singers, rappers and spoken word artistes finding their way in the music industry.

5. What should I put on my business cards?

7 Tips for what should be on your business card - Printing on both sides of the card; Type of Picture; Write-on side; Card weight; Font Size; Card size; and Text content. This episode also includes bonus tips!

6. 10 points of etiquette for managing your business cards.

What is the best way to give away your business cards? Should you give them to everybody? These questions and more are answered in today's ...

The podcast Success Beyond The Score was one of the foundational initiatives of the website full of resources that you know today. While the first season is already a few years old, it contains valuable information and perspectives that are still helpful. If you got a moment, why not revisit some of the episodes? Perhaps something in there will be relevant to where you currently are in your music journey.

For your consideration, here are the three first episodes of season 1:

1. Introduction

The what, why and by whom of the podcast Success Beyond The Score.

2. Is age a number?

Is your age important to what you do? Does it elevate or decimate your music? 

3. Who's going to make your music happen?

Who do you need to contact to make your music career happen, get you gigs and help you move forward?

If you have any comments, questions or observations about the content of these chapters, we would love to know!

No matter at what scale, life very rarely goes as planned. Some things are easier than we thought they'd be, many others are harder. Accidents and inconveniences dot our agendas, we get sudden ideas that we then have to fit in our day somehow. Mundanity gets in the way of greatness and viceversa. We're left juggling constantly while wishing there were more hours in the day.

For example, last year, my family and I finally got around to remodelling the kitchen. It was long overdue, and we were sure that the final result would be very good. However, doing it meant dust, noise, and a cramped house. My piano ended up blocked by a bunch of boxes. I had to keep an eye on what was going on during times I'd normally dedicate to practise. It hindered my creativity for some time, it made preparation for gigs more difficult, too. Yet life didn't stop. The expectations of my clients didn't change. I still had to show up and step firmly on the stage.

Although it was strenuous, discipline made it p...

If you've followed Millicent as an artist or as an educator for any amount of time, you know that she strongly advocates for musicians getting paid for their work. This is a position that she shares with the Musician Union, of which she has served as member of the Executive Committee and the Midlands Regional Committee. In a campaign called "Work Not Play", the MU offers resources to empower musicians so they don't feel pressured to accept unpaid jobs. This includes a list of fair play venues, a digital tool to define your rates, training to improve your negotiation skills, and more.

Millicent has also created her own resources to tackle this issue. In the free gifts section of our website, you can find the leaflet "Ten Reasons Why They Will Pay You Before Gig Day". In the store, the e-learning course "How To Work Out Your Gig Fee, Collect Your Payment And Manage Your Money" will walk you through everything you need to know in order to get paid as a professional musician.

Remember: b...

No matter how experienced or learned someone is, how many resources they have, how many measures they take, accidents and mistakes are inescapable. What defines a good musician isn't the absence of hiccups or errors, but rather, how they react to them.

Take as an example this rendition of Queen's quintessential song, Bohemian Rhapsody, played during a concert in Caracas, Venezuela, back in 1981.

Even if you aren't a fervent fan of Queen, it's highly likely that you've listened to this song enough times to tell something goes wrong at the 01:40 mark. Brian May works around the issue to play the solo for that part, but by 02:04, he changes the melody completely. The image isn't that clear, but apparently he missed his cue and broke one of his strings immediately after.

Observe how he doesn't freeze, doesn't stop or reacts in a visibly panicked way. His fellow band members do look slightly confused while they understand what happened, but this doesn't prevent them from playing their...

One of the most essential strengths a gigging musician must have is adaptability. Every gig comes with a new set of conditions: from the dimensions and design of the stage, to the size and position of the audience, to the PA system and the staff in charge of it.

Let's make an example out of the latter: for a certain gig some time ago, Millicent asked about the technical set up—as she always does—but a little later than usual. She got a reply through WhatsApp many hours later, and had to continue the conversation the next day. It became evident that the person answering to her wasn't tech-savvy, but rather followed instructions by the tech people at their organisation, which made the process slow. Thinking that this could cause problems down the line, Millicent decided to take her own PA system equipment to the venue, just in case.

When the day of the gig came, the sax mic didn't work, and there was no one among the staff who knew what to do. On top of that, Millicent had sent her bac...

Here is the transcription of episode 11 of season 3 of the podcast "Success Beyond The Score". Happy reading!

- Watch the video of the episode here: YouTube

- Listen to the audio of the episode here: Kajabi

INTRO:

Hiya! Hope you are well and [that] you can hear me okay. I'm ready to share a fantastic 11th episode of my Success Beyond The Score. Now, a couple of things to say before we get cracking about the sound engineer.

One is: I did it. I have got to 11 live shows on YouTube. At the beginning, I didn't think I'd manage it, but I did, and I want to thank you so much for being with me, for giving me those questions, and for just rocking up, and liking, and sharing, subscribing. Thank you so much for that. Going forward, just make sure you put the bell on, so you're notified of any future broadcasts I will be doing.

Now, the second thing —before I get cracking on the sound engineer topic— is to remind you that, if you're new here, there have been ten other episodes before th...