Success Beyond The Score

This year, the Young Classical Artists Trust (YCAT) organised their fifth version of Musicians' Mental Health Month. With a focus on Imposter Syndrome, they are offering a number of resources for musicians, ranging from coaching and therapy sessions to blogs and Q&A articles on the subject.

Imposter Syndrome, which consists in the persistent inability to believe that one's success is deserved or has been legitimately achieved as a result of one's own efforts or skills, affects people in all professions. It can become debilitating, opening the way to anxiety and paranoia. If you have confronted these feelings before, please know that you are not alone, and that there is a way out of this negative mindset.

This page on the MU's website contains a summary of the activities and resources of the YCAT's Musicians' Mental Health Month. Share it with friends, it might help more that you think!

On May 7, Wales will vote to elect the 96 new members of the Senedd Cymru (Welsh Parliament). In preparation, the Musicians Union has written a manifesto that describes actions to improve conditions for music, culture and the arts.

Election time is one of the best to make your needs known to leaders and politicians. If you are unsure of how to proceed, the MU has outlined some actions and provided templates in their website.

Don't sit back and wait for others to decide how your community is going to be managed. If you work in the arts and culture sector, it is vital that you make your experience and struggles part of the discussion for a better government. Let's pave the way to make Welsh music and culture shine brighter than ever!

The demonstration against the rising threat of the far right is this Saturday, 28 March 2026! An initiative of Together Alliance, which is a country-wide coalition of civil society organisations working for inclusion, equity and justice, this demonstration is set to start at noon in Central London.

If you can attend, please do so. Every voice is important in the effort to stop fascism from controlling or destroying the arts, and society at large, in its pursue of dominance. If you cannot attend, spread the word, and bring the sentiments of empathy, respect and equality to your daily life. As this piece of art in the remnants of the Berlin wall puts it: 

Many small people who in many small places do many small things can alter the face of the world.

Together Alliance is a country-wide coalition of civil society organisations working for inclusion, equity and justice. Given the increasing threat of the far right, it's been decided to hold a massive demonstration against it in London on Saturday 28 March 2026.

The Musicians Union is going to be part of the demonstration, and there is a chance to join their delegation. If you are interested, you can follow the steps described here in their website.

Diversity and cultural connection are key aspects of music. Due to this, among other reasons, ideologies like fascism seek to control or destroy the arts as part of their pursue of power. The arts are and must remain expressions of humanity that transcend division and discrimination. As musicians, then, we have the ability and duty to preserve the freedom of the arts and the people.

Please, help spread the word. Even if you cannot physically attend the demonstration, you can help it achieve the impact it seeks by promoting it, and by pu...

Fair Score is a joint campaign between the Musicians’ Union and The Ivors Academy, which seeks to ensure fair commissioning in media composition. It fights against coercive buyouts, opaque pitching processes, and deals that violate composers’ rights.

In a first survey conducted during 2019, the predecessor of Fair Score found that 35% of the surveyed media composers had accepted buyouts or work-for-hire deals. This means that, instead of receiving a commissioning fee upfront and royalties over time, they got a one-off fee and nothing else. This endangers the livelihood of composers, as they are deprived of long term income sources.

The same survey revealed that 41% of the surveyed composers gave up more mechanical rights than they wanted to, and 64% affirmed they believed the commissioning environment is coercive. This is unsustainable and harmful for the industry, even more now that commissioners count on the threat of generative AI to put pressure on media composers.

It’s importan...

Large Language Models (LLMs) have experienced a massive boom in the last couple of years. Their use has spread across all industries, creating a surge of multimedia content generated through Artificial Intelligence (genAI). After the initial wave of excitement, more and more institutions and organisations have come forward to denounce the negative impact of this technology in multiple aspects.

One of them has to do with creative ownership. In order to function, LLMs must be fed gigantic amounts of data. So far, there has not been adequate regulation about the origin of said data, nor how the human creators of it should be recognised and compensated. In the case of music, this has resulted in the work of hundreds of thousands of composers and recording artists being fed to LLMs without consent. To aggravate things, the musical output generated by LLMs is fast to produce and cheap to sell, which has degraded or outright eliminated jobs for musicians.

Updating the existing legislation o...

Players of over 20 orchestras across the UK have joined forces with the Musicians Union to demand that the government addresses the lack of streaming royalties. While streaming services have made music more accessible than ever, most of the money that they earn never reaches the people who perform the music. This is a particularly harrowing issue with non-featured musicians, including session and orchestral players, as the viola player Rachel Bolt explains in this reel:

 

 

 

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The Musicians Union has assessed that the solution lies on updating the copyright law. As it currently stands, streaming services must give part of their revenue to copyright owners, who are mainly record labels and publishers. Changing it in a way that guarantees equitable remuneration for streaming income would give musicians their due revenue back, without making the State incur in additional expenses.

You can read ...

Everything in life entails a risk, even not doing anything at all. Assessing and managing risks is part of life, but it becomes critical in professions that involve large numbers of people, like live music.

If you've followed Millicent as an artist or as an educator for any amount of time, you know that she strongly advocates for musicians getting paid for their work. This is a position that she shares with the Musician Union, of which she has served as member of the Executive Committee and the Midlands Regional Committee. In a campaign called "Work Not Play", the MU offers resources to empower musicians so they don't feel pressured to accept unpaid jobs. This includes a list of fair play venues, a digital tool to define your rates, training to improve your negotiation skills, and more.

Millicent has also created her own resources to tackle this issue. In the free gifts section of our website, you can find the leaflet "Ten Reasons Why They Will Pay You Before Gig Day". In the store, the e-learning course "How To Work Out Your Gig Fee, Collect Your Payment And Manage Your Money" will walk you through everything you need to know in order to get paid as a professional musician.

Remember: b...

The Musicians' Union is cautious about the government consultation currently going on in regard to copyrighted material being used to train generative artificial intelligence (genAI). The consultation is a direct successor of a government-proposed exception that saw the light in 2023, and didn't go through due to strong opposition from the creative industry. The difference this time is that the government has outlined a way for right holders to prevent their works from being used to train AI systems. Alternatively, they could opt to negotiate a presumably paid licence for their use.

In the realm of music, the right holders are mainly record labels and publishers. However, musicians who signed their contracts and transferred their rights before the boom of genAI had no way to foresee the weight this technology would have in the cultural landscape and industry, or the impact its use would have in their revenue. For this reason, the Musicians' Union advocates for each creator having the...