Success Beyond The Score

Creative endeavours are, at the same time, energising and draining. Gigging musicians thrive on stage, but once they get off, they are hit with the exhaustion of having given their all to their audience, their clients and their craft. If, on top of performing, they are in charge of logistics, finances and/or organisation, as it was the case for the women who put together the Time For My Music's evening showcase last October, this fatigue gets dialled up to eleven.

If you plan to become a professional gigging musician, it's essential that you come up with mechanisms to rejuvenate after shows. There's only so much your body and mind can endure with no support, and if you force yourself to move forward despite signs of alarm like pain, sleep issues, and anxiety, you're going to burn out.

On one hand, there's the physical side of things: take care of your health and cultivate your endurance with an appropriate diet, physical activity and good sleep. Allot time specifically to rest, both ...

The Musicians' Union is cautious about the government consultation currently going on in regard to copyrighted material being used to train generative artificial intelligence (genAI). The consultation is a direct successor of a government-proposed exception that saw the light in 2023, and didn't go through due to strong opposition from the creative industry. The difference this time is that the government has outlined a way for right holders to prevent their works from being used to train AI systems. Alternatively, they could opt to negotiate a presumably paid licence for their use.

In the realm of music, the right holders are mainly record labels and publishers. However, musicians who signed their contracts and transferred their rights before the boom of genAI had no way to foresee the weight this technology would have in the cultural landscape and industry, or the impact its use would have in their revenue. For this reason, the Musicians' Union advocates for each creator having the...

Happy holidays! Regardless of how you spend this time of the year, we hope you've enjoyed it to the fullest, and that you've also caught some well deserved rest. 2024 was quite hectic for many, so let's give ourselves a moment to breathe and maybe give ourselves a pat in the back for the challenges that we overcame.

This is also a good time to remember the big, good moments. For example, the first live concert of Time For My Music at the end of October was a massive achievement for our community. We can't wait to post the professional footage in the upcoming months, but in the meantime—and to add some good vibes to your New Year's Eve preparations—here are two clips from Millicent's performance at the end of that evening:

Count on us for resources and support in your music journey this and every new year. We are dying to hear about what you've got in mind!

Originally, Millicent wasn't going to perform at the Time For My Music evening showcase. However, due to a suggestion by a member of the audience, and with the enthusiastic approval of the women who starred the night, she went on stage towards the end and played some fan favourites like "Ain't Nobody (Loves Me Better)" and "Bridge Over Troubled Waters".

After the show was over, one of the women told Millicent that she was glad to have counted with her performance that night, because she could see first hand how Millicent applied everything she has taught them through the years. Seeing the theory put into practise motivated her, and she could project herself owning the stage with more confidence and ease in the future.

Performing music live is much more than just making up your mind and doing it. Everybody starts somewhere, and Millicent is no exception. She remembers that, when she first started, she stood on a single spot in front of the mic, fixed her gaze somewhere on the floor, a...

The Musicians’ Union (MU) and the Featured Artists Coalition (FAC) are organisations that protect the rights and interests of artists and performers in the UK. Their work is to ensure that artists and performers are fairly represented and paid within the recorded and live music sectors. Given that recent events like the COVID-19 pandemic, Brexit and the economic recession have heavily disrupted the live music market, the MU and FAC came together to write an open letter to the government and the biggest actors of the entertainment industry in regard to one of the most affected sectors: grassroots music.

The Arts Council defines grassroots music as "the engine room of England’s thriving music ecology." It's a delicate network of rehearsal and recording studios, venues, festivals and promoters that support musicians and music professionals in the development of their skills. It's made of that promoter who organises an open mic evening the second Wednesday of the month, the town's radi...

Nowadays, the making of both woodwind and brass instruments is considered an endangered craft by the Heritage Crafts Association. If something goes wrong with your instrument, there are very few places where you can take it in order to get it back on track. When Millicent's trusted sax repairer retired seven years ago, she was faced with the gravity of this problem, struggling so much to find a reliable replacement that she decided to learn how to do it herself. She signed up for a sax repair and maintenance workshop offered by Cambridge Woodwind Makers, which was extremely useful and gave her a new perspective. She talked at length about her experience in this blog entry, and also on her YouTube channel.

While she eventually found a new trusted sax repairer, Millicent didn't completely leave this knowledge aside. As a busy gigging musician, she doesn't always have the chance to take her saxophones to the shop if something breaks, and knowing how to do quick fixes can be a lifesaver w...

One of the most essential strengths a gigging musician must have is adaptability. Every gig comes with a new set of conditions: from the dimensions and design of the stage, to the size and position of the audience, to the PA system and the staff in charge of it.

Let's make an example out of the latter: for a certain gig some time ago, Millicent asked about the technical set up—as she always does—but a little later than usual. She got a reply through WhatsApp many hours later, and had to continue the conversation the next day. It became evident that the person answering to her wasn't tech-savvy, but rather followed instructions by the tech people at their organisation, which made the process slow. Thinking that this could cause problems down the line, Millicent decided to take her own PA system equipment to the venue, just in case.

When the day of the gig came, the sax mic didn't work, and there was no one among the staff who knew what to do. On top of that, Millicent had sent her bac...

The Government is running an independent Curriculum and Assessment Review with the aim to gather perspectives and evidence that can help refresh and update the national curriculum and statutory assessment system in England. The Musicians' Union is responding to it on behalf of its members, submitting arguments in favour of arts and music education, and you can do the same by answering to the review online before Friday, 22nd November.

The Review has a big scope, and it's looking for solid evidence and potential solutions to the main problems faced in the education of children and teenagers aged 5 to 19. If you feel that you don’t have an informed opinion to contribute to the discussion regarding one specific section of this massive enterprise, it's alright: you can answer only to what matters to you, and your opinion will be taken into account anyway.

The Musicians' Union has highlighted the sections more relevant to arts and music education, and has some advice on how to respond to ...

The Time For My Music evening showcase on Tuesday 29th October was fabulous. The women stepped up to the mark and delivered a performance that blew everybody's minds. They were glamorous and classy, engaging the audience (a full house of it!) to share hours of great music played with their hearts and souls. Truly, the event couldn't possibly have gone better. 

The significance of this achievement goes beyond the stage. The women didn't only perform at the evening showcase, but they actually organised it and produced it. They learned what's needed to put on a show, who to contact, and how to go about things. Using her experience producing the Not Just Jazz shows, Millicent guided them and provided them with the necessary skills so they can do it again by themselves in the future, being transparent with them in regard to location options and regulations, costs, etc.

The show is over, but the learning continues. There are things that still need to be taken care of, evaluations to do, an...

As a musician, I work funny hours, and I don’t like eating right before performing. This means that, some days, I’ll eat in the morning and not at all in the afternoon, to then be famished in the evening and gobble as much as I possibly can. Or maybe I’ll have a hasty lunch and not eat again until after an evening gig, late at night, which as we all know, isn’t good for the midriff at all. I’d frequently eat whatever was at hand, too, without putting much thought into it.

Generally speaking, I’ve always known that such lack of consistency is detrimental to my health, but I kind of put my concerns aside in favour of getting things done, trusting that my body would somehow keep up—which it did, for many years. I’m sure many of you can relate.

But alas, there’s a limit to everything. As I mentioned in the previous article, I got diagnosed as pre-diabetic on December 2023. What does this mean, exactly, and why does it have so much to do with nutrition?

Pre-diabetes

You’re pre-diabetic ...